CIRRUS NETWORK
[The Showmaster leads you through the dark stage and you find yourself entering something that looks like a very nice and expensive classroom.
Each desk is spacious with drawers that you will conveniently find any important item that had been on your person or that you feel like you would need here. Each chair is cushy and swivels.
Sitting on top of the teacher's desk is a young girl, older teen / younger adult in age at most, hair that looks like mint cotton candy that probably reaches down to her ankles. She has a knee drawn up to her body, resting her chin on top as she scours the room of who arrived . . .
And then she looks at you all with the biggest smug grin plastered on her face. You'll notice that her purple eyes shifts when she makes the scowl, it goes from a solid purple to a purple mixed in with this symbol in green also.]
Ah, Cirrus, still mad that you can't take our stories, huh? Even though we're all gone now, you still can't leave us alone.
Each desk is spacious with drawers that you will conveniently find any important item that had been on your person or that you feel like you would need here. Each chair is cushy and swivels.
Sitting on top of the teacher's desk is a young girl, older teen / younger adult in age at most, hair that looks like mint cotton candy that probably reaches down to her ankles. She has a knee drawn up to her body, resting her chin on top as she scours the room of who arrived . . .
And then she looks at you all with the biggest smug grin plastered on her face. You'll notice that her purple eyes shifts when she makes the scowl, it goes from a solid purple to a purple mixed in with this symbol in green also.]
Ah, Cirrus, still mad that you can't take our stories, huh? Even though we're all gone now, you still can't leave us alone.
Re: YOU NEED A PLACE TO REACT
Re: YOU NEED A PLACE TO REACT
suddenly, the knowledge of what happened in the tunnels is simply replaced with a dark, dark gap. but that may not be forefront in Eugene's mind at all rn]
Re: YOU NEED A PLACE TO REACT
Hey, you bast--
[stops himself when he sees all the blood again. not going to yell at the severely injured man.]
--Stay still!
Re: YOU NEED A PLACE TO REACT
Re: YOU NEED A PLACE TO REACT
goes right back over to him. he can't do anything, and he kind of wants to throw up a little, but it's also impossible to just leave him alone]
Re: YOU NEED A PLACE TO REACT
his blood-glazed eyes roll to stare at Eugene]
Re: YOU NEED A PLACE TO REACT
Re: YOU NEED A PLACE TO REACT
Hey--
[it's almost lost in the shriek of wind]
Re: YOU NEED A PLACE TO REACT
Sorry. Hang tight.
[he knows a ROUGH approximation of where to apply pressure to make a person lose consciousness; he finds the spot behind the ear and pushes hard with his fingers, hoping it will drop him right into unconsciousness without having to smack him around on top of it all]
Re: YOU NEED A PLACE TO REACT
it does stop him from starting to ransack all of Eugene's past relationship memory drawers though so that's fortunate]
Re: YOU NEED A PLACE TO REACT
as soon as Frost is unconscious he's just going to sit there and stay very still and not move so he doesn't agitate any of the burns that scraped open during that whole tussle,,,]
Re: YOU NEED A PLACE TO REACT