HOLY ORDER

[livestage]

[The Showmaster leads you through the dark stage and you find yourself entering something that looks like a very nice and expensive classroom.

Each desk is spacious with drawers that you will conveniently find any important item that had been on your person or that you feel like you would need here. Each chair is cushy and swivels.

Sitting on top of the teacher's desk is a young girl, older teen / younger adult in age at most, hair that looks like mint cotton candy that probably reaches down to her ankles. She has a knee drawn up to her body, resting her chin on top as she scours the room of who arrived . . .

And then she looks at you all with pure hatred. You'll notice that her purple eyes shifts when she makes the scowl, it goes from a solid purple to a purple mixed in with this symbol in black also.]

I hate all of you with every fiber of my being, but I love telling stories more I hate you you so I guess I have to do this.

Comments

Re: DISCUSSION

[fairermeans]

[ true ]

Satisfied?

Re: DISCUSSION

[leaveofabsence]

Not really. That info is like saying water is wet.

Re: DISCUSSION

[fairermeans]

Pfuu. You're a greedy one.

If you want to keep going, you may, but that one—[ vague nod to razzy ]—is off the menu.

[ said like she's the boss. not just the boss, but a magnanimous boss ]

Re: DISCUSSION

[leaveofabsence]

I do want to continue but not for the information. I want to make sure we win the performance.

But you are correct. She should not be taking any more effects.

Re: DISCUSSION

[fairermeans]

. . . Win? Why do you care about that now?

Re: DISCUSSION

[leaveofabsence]

Because losing a performance usually results in some undesirable lingering effects. Sometimes it is the continuation of the effects from the performance itself.

Re: DISCUSSION

[fairermeans]

[ another glance to razzy ]

Hmmh. Very well. Proceed.